'Family Guy' Mocks Jesus After Evangelical Refuses to Have Sex with Brian the Dog

Fox's Family Guy has been mocking Christianity since the early years of the show. Last night's episode turned Jesus into a vulgar comedian who mocks His mother's virginity. In the episode, "Faith No More," Brian goes back in time to erase Christianity from existence after an attractive Evangelical Christian woman refuses to have sex with him.  After being rejected by a veterinary nurse who is an Evangelical Christian, Brian comes home and rants to Stewie about Christianity.  Brian: Christianity sucks. It's stupid, arbitrary nonsense.  Stewie: You're horny and she wouldn't have sex with you.  Brian: No. And I did everything right. I even researched abortion clinics in case the condom broke.  Stewie: Yeah, no, I know. It's in your Twitter bio.  Brian: Fine, but look around. So much of the division and hatred in today's society comes from Christianity. And it's so hypocritical. I mean, they all vote for Trump, even though he's divorced.  Stewie: That's all you've got on Trump?  Brian: Christianity is also anti-science, anti-freedom--  Stewie: Come on, it's not all bad. I mean, I have a Swarthy Men of Nazareth advent calendar with doors opening for all 25 days. Talk about the "Stars" of Bethlehem, hey, Bri?  Brian: Whatever. Christianity is the worst thing that ever happened to this country. Or the world.  Stewie: Well, perhaps. But it's been around for 2,000 years, so it's not like there's anything you can do about it. Well, I'm going to bed. I'll leave you to watch John Oliver and agree with yourself.  Brian: Good. Love John Oliver. He's a louder Jon Stewart.  John Oliver voice: Blimey, guv'na. Republicans are bollocks.  Brian: God, the British are smart. But, man, if only could get rid of Christianity. If only I could go back in time.  For all the blasphemy, this scene admittedly nails the selfishness of an abortion-loving leftist angry at a woman for not sleeping with him, while also accurately mocking John Oliver. Brian hops into a time machine in Stewie's bedroom and travels to 30 AD in search of Jesus. He hopes to prevent Christ from accomplishing His mission on Earth. He asks some men on the street if they know Jesus. "Jesus Christ, you mean the guy who showed his weiner on a dare at camp?" one of the men replies. Brian finds Jesus and learns that the Son of God really wants to be a stand-up comedian instead of the Messiah. God the Father is portrayed as a controlling jerk. The dog convinces Jesus to reject his Father's plans and do stand-up instead. Jesus' stand up routine includes sex jokes and also mocks the Virgin Mary. Jesus: So, my dad's God. [Crowd cheering] Thank you, thank you. And growing up, he taught me all about carpentry. Yeah. Uh, I guess he thought teenage boys should spend more time rubbing wood. [Crowd laughs] And my mom's a virgin. That's fun. Uh, yeah, when I was a teenager, I had to give her the talk.  Vulgarity is par for the course in any Family Guy episode involving Christianity. Past examples include sexualizing the Last Supper and calling God a "dick." This episode is in line with the series' regular obsession with degrading Christ. When Brian and Stewie return to the present day, they learn Christianity no longer exists and everyone is Jewish. Brian is happy until sundown when the family shuts off their electronics and prepares to walk to the synagogue. Upset about Jewish religious rules, Brian and Stewie go back to the time machine. Stewie bribes Moses to not receive the Ten Commandments.  The world is then devoid of religion. History shows that a world that rejects God morphs into Hell on Earth, but not in Seth MacFarlane's world. "Finally, a world with no religion, no prejudices, no irrationalities. Just science-based reason," Brian declares. Then God shows up as a delivery man and angrily beats up Brian and Stewie until they bring religion back. In the end, a bruised and battered Stewie and Brian are seen singing in church. Family Guy creator Seth MacFarlane is a vocal atheist. His series often uses religion, particularly Christianity, as a punching bag. "Faith No More" was just the latest example and will likely not be the last.

Amazon Prime's Hit Series 'Fallout' Marred by Left-Wing Biases

Amazon Prime's memorable new hit series Fallout, based on the popular video games by Bethesda SoftWorks and Interplay, is marred by a number of left-wing biases. The series follows Lucy MacLean (Ella Purnell), a resident of a "Vault-Tec" bunker in the year 2296. Vault-Tec bunkers are a high-tech underground network of vaults designed to survive a nuclear blast. Generations have lived in them since nuclear fallout from the fictitious "Great War" centuries earlier. Lucy's father, Hank (Kyle MacLachlan), is the overseer of the vault where she lives. After Hank is kidnapped by invaders from above ground, Lucy leaves the secured vault to go up to the surface for the first time in her life to find him. She journeys across a wasteland filled with ghouls, warriors and various unsavory characters. The series bounces back and forth in time between a pre-fallout 1950s-style world and future years. Up on the surface, the audience is introduced to the "Brotherhood of Steel," a post-apocalypse paramilitary order. The brotherhood includes "Dane," played by "non-binary" actor Xelia Mendes-Jones, a biological woman. Dane is supposed to be one of the boys but is really a butch-looking woman with a light mustache. Dane's leader uses the pronoun "they" when speaking to her, albeit very briefly. The "transness" of the character is never spoken of or emphasized in any way, yet Dane's presence in the brotherhood still requires suspension of disbelief. Outside of Dane's character, much of the series eschews any direct wokeness. The main female lead, Lucy, is not a "Mary Sue." Stronger men sometimes have to intervene to save her, and she does not try to girlboss her way across the wasteland. She just wants to find her father.  In the end, she discovers her father is actually a villain who works for a corporation that has repeatedly nuked the world in order to destroy competition from it. The truth is revealed by Lee Moldaver (Sarita Choudhury), a woman who is described as a communist in pre-fallout flashbacks. Numerous characters are capable of living for hundreds of years via different means and Moldaver appears through different epochs. In flashbacks, she heads what is described as a communist Hollywood circle. She butts heads with actor Cooper Howard (Walter Goggins), a John Wayne type of character who stars in Vault-Tec ads before learning their evil plans. He turns into a ghoul after nuclear fallout.   After their confrontation, Moldaver tells Howard (Walter Goggins), "I'm not a communist, Mr. Howard. That's just a dirty word they use to describe people who aren't insane."  Moldaver's Hollywood movement began after her research on cold fusion was stolen by Vault-Tec. She warns Howard and others that Vault-Tec is an evil corporation intent on destruction. In the video game version of Fallout, numerous companies profit off the war, but this series adds a twist: Vault-Tec and other connected companies ensure that the bombs get dropped in the first place. Moldaver builds a new republic in the years after the first nuclear fallout. With the support of Hank McLean, Vault-Tec creates a second nuclear bombing so that there is no future alternative to their vaults. Upon finding her father, Lucy learns that the man she thought of as a loving dad is actually a cold-blooded murderer who works for a diabolical corporation. Up until that moment, Hank was one of the few white male characters in the show who had not become weak, cowardly or cruel. A preponderance of bad guys is par for the course in a post-apocalyptic word, but the fact that a white male leader always turns out to be a horrible person in contemporary television is frustrating. Fallout is a strong series in many ways, with real character development and a coherent plot. It will likely be able to keep its fan base into future seasons. Unfortunately, an underlying leftist worldview ultimately seeps through it despite all its strengths.

ABC's 'Grey's Anatomy' Celebrates In-Utero Life-Saving Surgery on Pre-Born Baby

ABC's Grey's Anatomy is one of the most rabidly pro-abortion shows on television, but last night's episode spotlighted life-saving surgery on an unborn baby. On Thursday's episode, "Baby Can I Hold You," Dr. Arizona Robbins (Jessica Capshaw) announces to a room full of interns that the hospital will be performing a unique brain surgery on a growing baby in the womb. The plotline is based on a real, first-of-its-kind surgery performed in the United States last year. Robbins: Correct, and in utero the baby is typically sheltered by mom and the placenta, but then after delivery and the cord is clamped, what happens? Yes? Adams: The baby's heart and lungs become overwhelmed with the massive overflow of blood.  Robbins: Which can lead to heart failure, seizures, and possibly death.  Shepherd: Standard procedure has been embolization after delivery, but many babies do not survive. And if they do, the child often has major brain injury.  Bailey: So that's when I called Dr. Robbins.  Robbins: So, a few months ago I started a clinical trial with a team of interventional neuroradiologists in which we operate on the baby's brain before delivery.  Yasuda: In-utero brain surgery? Sick.  Millin: Ugh. I hate babies. Kwan: Technically a fetus.  Millin: What did I say about talking to me? Millin hates babies, and Kwan is nitpicking about the Latin word for offspring, but the lead doctors are genuinely excited about saving the unborn child. Bailey feels the hospital's interns should not be allowed in the operating room to observe because they are too immature. Robbins disagrees, insisting the surgery is too important a moment for the budding doctors to miss. "Bailey. We might fix a baby's brain inside a womb. That is magic," she says.  As Robbins begins the surgery, she tells her colleagues, "Every second puts mother and baby in more danger, so let's make them count. " She also talks to the unborn child while working on her. "Alright, calm down, baby girl, calm down," she whispers when the baby moves. The surgery is successful. Doctors let the pregnant mother know that her unborn baby now has a good prognosis but will have to spend some time in the NICU after she is born. Grey's Anatomy creator Shonda Rhimes is one of the most radically pro-abortion writers on network television.  Her abortion-pushing shows include a famous episode of Scandal in which a woman has an abortion to the tune of "Silent Night." Grey's Anatomy itself has been a relentless fount of extreme abortion propaganda.  How does one explain the cognitive dissonance between an episode about live-saving in-utero surgery and episodes promoting killing children in the womb? Many abortion proponents no longer bother to deny that an unborn child is a baby. Activists on Twitter/X have even gone so far as to post cakes mocking their unborn babies' deaths. The unborn girl in "Baby Can I Hold You" only matters to the writers because the mother wants her, not because of her innate value as a human being. This one episode may have highlighted an unborn life, but Grey's Anatomy remains an abortion-loving show.

Left-Wing Terrorists Kill 'Far Right' Conservatives on CBS's 'FBI'

On last night's episode of CBS's FBI, the villains were left-wing terrorists who had participated in anti-police riots. Tuesday's episode, "Behind the Veil," began with a bombing at a speech by fictional congresswoman Carol Jones. The bomb kills the congresswoman and much of her audience, as well as a child on the street outside the venue.   "Carol Jones. She's far-right, controversial," says an FBI agent who arrives at the scene of the crime. Any use of the words "far-right" on a network show is eye-rolling, because Hollywood thinks all conservatives are "far right." That makes the description meaningless. FBI is unique in that a past episode showed innocent conservatives being targeted by violent left-wing activists. In this week's episode, FBI analysts discover that the bomber, Gary Smalls, "served time for striking a cop in Portland during the George Floyd riots." Elise: But he's roughly 5'10", and I see the hand. Isobel: 1920. That's pretty specific. Jubal: Yeah, yeah, yeah. Check NCIC. Any matches? Kelly: Several, but only one that fits the bill. Gary Smalls, age 30. Served time for striking a cop in Portland during the George Floyd riots. Jubal: He's an anarchist, member of the so-called Revolution Front. Kelly: And according to court records, that tattoo is actually a reference to the bombing of Wall Street that happened that year. Jubal: Which killed 30 people. All right, does this bomb loving anarchist have an address?  During the 2020-2021 television season, network shows portrayed BLM "protests" as peaceful and righteous. After crime skyrocketed, those same dramas rarely spoke of the movement again. "Behind the Veil" is distinctive for discussing the violent George Floyd riots in the context of terrorism. Smalls streams a live video post on social media. "The revolution has just begun. And my action is just the first shot across the bow of the fascist right. And I am not alone. There's more to come before we achieve justice. Gotta go. The brain trust of the revolution is just...." His stream is cut short when he is shot dead by someone off camera. The shooter turns out to be a foreign agent, a Russian spy named Marina Kostova, who groomed Smalls. "Well, Kostova convinced some American idiot to detonate the bomb and then killed him. It's a false flag operation straight out of the active measures handbook. They're trying to make it look like Americans are killing each other, trying to create even more political dissension and hate," lead agent Isobel Castille tells a State Department representative. The bomb materials were stolen from a local construction company. The construction company owner is a conservative who is shocked when he learns explosives were taken from his inventory. "You know, I was planning on voting for Carol Jones. I'm a proud conservative," he tells agents. After arresting the thief who sold the bomb-making materials on the black market, the FBI learns that another bomber is planning an attack. This second bomber is a former schoolteacher who "lost his job after chaining himself to a fence at Cop City." Violent Cop City activists attempted to shut down construction of a law enforcement training center in Atlanta last year. The second bomber's target is a rally for a group called the "God and Liberty Alliance," which an agent describes as "hard-right." Jubal: What's at the Expo? Elise: There's a speed date event, gemologist convention, and a rally for a group called the God and Liberty Alliance. Isobel: The God and Liberty Alliance? That's hard-right. That's the perfect target for an anarchist. Jubal: It's a double down. Russia's trying to provoke a reaction, cause the right wing to retaliate with the elections coming up. Isobel: Creating a cycle of violence that none of us can stop. What time does that rally start?  Even in an episode about left-wing terrorists, the writers still had to include dialogue implying that the American right is as potentially dangerous as the left. Never mind that the radical left, composed of communists and anarchists, have been stoking violence in the United States for well over a century. At the end of the episode, FBI agents tackle a Russian operative before he can detonate the bomb remotely. FBI deserves credit for being one of the rare shows to create multiple episodes around left-wing terrorism. It's too bad this episode also stoked fear of conservatives and attached "far" or "hard" in front of any mention of the right-wing side of the aisle.

Fox's 'The Cleaning Lady' Glorifies Illegals, Makes Cartel Leader Heroic

Fox's drama The Cleaning Lady is a propaganda vehicle for open borders advocates. Last night, it romanticized illegals and portrayed a cartel leader as someone who cares about his human cargo. The series revolves around Thony (Elodie Yung), a crime scene "cleaner" for a fictional Mexican cartel. On Tuesday's episode, "Agua, Fuego, Tierra, Viento," Thony drives through the desert border to rescue her sister-in-law Fiona (Martha Millan) and nephew Chris (Sean Lew).  Fiona and Chris are illegal immigrants from the Philippines. They were deported last season and are trying to sneak back into the country again with Thony's help. Fiona and Chris got separated from their coyote and are lost in the desert. As they struggle to survive, angelic Fiona gives her son a speech about how the illegals who came before them in that same desert "risked everything to get a better life than what they had."  Fiona: Okay? Everything out here tells you a story of someone who had the guts to do this. Okay? Who risked everything to get a better life than what they had. People like Camila and Gizelle, they came from nothing -- nothing. The rain stopped. The crops dried out. They were left with nothing to eat. You think they came out here to die? They fight and they don't give up.  Thony sets out into the desert to find them after they don't arrive with the coyote. Jorge (Santiago Cabrera), a murderous cartel leader who facilitated the illegals' journey, helps Thony in her search. Is the audience supposed to believe a cartel thug actually cares about these people's lives? The episode's villains are instead American vigilantes who hunt down and kill illegals in the desert. The vigilantes are white, of course, and their caricatured dialogue is cringeworthy. The female vigilante is named "Barbie" and her male companion is dumb and creepy. Like so many network shows, the bloodthirsty pair are a left-wing fantasy of illegal immigration opponents. Male Vigilante: On your knees. On your knees! Both of you.  Jorge: Hey, we're just out here hunting, amigo, and I don't think you want any trouble.  Male Vigilante: That's funny. We're out here hunting, too, and it looks like we just got lucky. Alpha, we got ourselves some drug mules, maybe Coyotes.  Man: Roger that Delta. We just spotted a cargo truck that might have about a dozen aliens in it. [ Laughs ]  Male Vigilante: Copy that. Where are you from?  Thony: Las Vegas. Male Vigilante: Oh, come on. Where are you really from?  Thony: Cambodia.  Male Vigilante:  Whoo! Did you hear that, Barbie? All the way from Cam-bo-di-a. They're crawling in from every crevice. What do you all call that? La cucaracha? [ Laughs ]  Jorge: Yeah. Why don't you crawl back to whatever trailer park you came -- [ Yelps ] ♪ Put the gun down now! Put it down! Male Vigilante: Come on. Shoot him, Barbie!  Jorge: Barbie, don't listen to this scumbag. Put the gun down! [ Gunshot ]  Network shows portray white Americans as so stupid and evil that you have to wonder why anyone from another country would want to live in the United States if this fiction were really true. Jorge and Thony leave the two Americans in the desert to die. "Let the animals take care of them. They can see what it's like," Jorge says. Jorge is a murderous human trafficker who is angry at the Americans for being cruel. Jorge and Thony find Fiona and Chris and reunite them with friends and family in the United States. Everyone is one big, happy family again. Hollywood regularly pushes open borders narratives, but "Agua, Fuego, Tierra, Viento" was one of the most infuriating episodes I've seen on television. It dripped with hatred of the United States, glorified illegal activity and made a human trafficker look heroic.  The Cleaning Lady is currently on its third season despite low ratings. Let's hope this season will be the last of this awful show.