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On Friday’s broadcast of HBO’s “Real Time,” former New York Times reporter and current reporter and Head of Strategy at the Free Press Nellie Bowles argued that a full reversal of the left-wing excesses of 2020 should include “apologies to the people
The post Ex-NYTer Bowles: A Full Correction for Left-Wing Excesses in 2020 Includes People Getting Their Jobs Back appeared first on Breitbart.
Sen. John Fetterman (D-PA) on Thursday reluctantly agreed with Gov. Ron DeSantis' (R-FL) move to ban lab-grown meat in his state.
The post John Fetterman Praises DeSantis for Banning Lab-Grown Meat: ‘Would Never Serve that Slop to My Kids’ appeared first on Breitbart.
The Venice Biennale is one of the world’s biggest art shows. The show has a national focus:
Held since 1895 and considered the world’s top art event, the Venice Biennale, which starts in April, gives nations the chance to show off their best artists at national pavilions.
That is the hook for pro-mass muder artists to try to boot Israel out:
A petition to kick Israel out of the Venice Biennale art show because of the war in Gaza signed by more than 16,000 artists, curators and academics has been angrily dismissed as “shameful” by Italy’s arts minister.
More to come from the culture minister, a Giorgia Meloni appointee.
Signed by art world luminaries including Jesse Darling, the British Turner prize winner, the petition claims: “The Biennale is platforming a genocidal apartheid state. No death in Venice. No business as usual.”
“Platforming” is a sinister term that generally means failing to discriminate against. Culture Minister Gennaro Sangiuliano pushed back:
The petition drew a furious response from Gennaro Sangiuliano, the Italian culture minister, who lambasted what he described as “a diktat from those who think they are the custodians of the truth, and who with anger and hatred try to threaten the freedom of thought and creative expression in a democratic nation like Italy”. He added: “The Biennale will always be a space of freedom, meeting and dialogue rather than censorship and intolerance. Culture is a bridge between people and nations, not a wall of division.”
Israel is to be represented at the Biennale by Ruth Patir, who is plenty far left by any normal standard. But that doesn’t cut any ice with anti-Semites.
This flap is a reminder that art isn’t what it used to be. As noted above, Britain’s Jesse Darling is apparently the most notable of the artists trying to ban Israel. Here he is with some of his art works:
Which prompts the question: is there a connection between bad art and bad politics? Mr. Darling is, on this question, a data point.
This picture of kids on a playground in 1912 popped up on my Instagram feed:
It got me thinking: if you encouraged that sort of activity today, someone would call the police. No one would consider it safe for kids to play that way, and when it comes to children, safety–or “safety”–is the supreme value.
I have been working, on and off, on a memoir about what it was like to grow up in a small town in South Dakota in the 1950s and early 60s. Looking back, kids in that time and place enjoyed an astonishing degree of freedom. Kids played, almost always without parents having anything to do with it. In some ways, you could say our parents were strict. On the other hand, they rarely had any idea what we were doing. As long as we were home for dinner at six, we were good.
Those days are gone. And yet, despite the hothouse environments in which children are raised nowadays, they aren’t safe at all. On the contrary: a great many of them can’t cope. I ran across this podcast by Bari Weiss: “Why the Kids Aren’t Alright.”
American kids are the freest, most privileged kids in all of history. They are also the saddest, most anxious, depressed, and medicated generation on record. Nearly a third of teen girls say they have seriously considered suicide. For boys, that number is an alarming 14 percent.
What’s even stranger is that all of these worsening mental health outcomes for kids have coincided with a generation of parents hyper-fixated on the mental health and well-being of their children.
Take, for example, the biggest parenting trend today: “gentle parenting.” Parents today are told to understand their kids’ feelings instead of punishing them when they act out. This emphasis on the importance of feelings is not just a parenting trend—it’s become an educational tool as well. “Social-emotional learning” has become a pillar in public schools across America, from kindergarten to high school. And maybe most significantly, therapy for children has been normalized. In fact, there are more kids in therapy today than ever before.
On the surface, all of these parenting and educational developments seem positive. We are told that parents and educators today are more understanding, more accepting, more empathetic, and more compassionate than ever before—which, in turn, makes wonderful children.
But is that really the case? Are all of these changes—the cultural rethink, the advent of therapy culture, of gentle parenting, of teaching kids about social-emotional learning—actually making our kids better?
Best-selling author Abigail Shrier says no.
In her new book, Bad Therapy: Why the Kids Aren’t Growing Up, Shrier argues that these changes are directly contributing to kids’ mental health decline. In other words: all of this shiny new stuff is actually making our kids worse.
Today: What’s gone wrong with American youth? What really happens to kids who get therapy but don’t actually need it? In our attempt to keep kids safe, are we failing the next generation of adults? And, if yes, how do we reverse it before it’s too late?
That conversation is a little different from the kids playing on 20 foot high jungle gyms, but clearly related. It is a big topic, and that is enough for the moment.
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